Mod 1 Student Package

1.2 What do you need to run this course?

Get the latest ToyRig version

1.3 - Setting up Toy

Smooth Toy away!

Mod 2 Student Package

2.1 What’s the essence of animation?

2.2 The pose

2.3 Timing

2.4 The workflow

2.5 Scheduling

2.7 Observing life

2.8 Learning animation by observation and imitation

2.9 Summary

Mod 3 Student Package

3.1 Anticipating the limitations

3.2 The character

3.3 Practice : Character study

3.4 The audio

3.5 Practice : Get familiar with the scene and the audio

3.6 Deadlines

3.7 Practice : Deadlines

3.8 Summary

Copy 12 poses

Mod 4 Student Package

4.1 Intro to the Method for animators

4.2 The Method for Animators ( 1/ 3 )

4.2 The Method for Animators ( 2/ 3 )

4.2 The Method for Animators ( 3/ 3 )

4.3 Shot Planning 1 . The performance

4.4 Shot Planning 2 . Identifying the bits and the Golden Poses

4.4 Identifying the bits and the Golden Poses ( 1/3 )

4.4 Identifying the bits and the Golden Poses ( 2/3 )

4.4 Identifying the bits and the Golden Poses ( 3/3 )

4.5 Adding depth to the Golden Poses. How to push poses ( 1/2 )

4.5 Adding depth to the Golden Poses. How to push poses ( 2/2 )

4.6 Pushing the energies

4.7 Practice : Deepening your own poses

4.8 Summary

Deepening your own 5 to 10 poses

Mod 5 Student Package

5.0 Intro to working the Golden Poses

5.1 Posing with the SUCCES rule

5.2 Learning appeal

5.3 Entertainment value

5.4 Tips on posing

5.5 Practice with the shot course. Posing the Golden Poses ( 1/5 )

5.5 Practice with the shot course. Posing the Golden Poses ( 2/5 )

5.5 Practice with the shot course. Posing the Golden Poses ( 3/5 )

5.5 Practice with the shot course. Posing the Golden Poses ( 4/5 )

5.5 Practice with the shot course. Posing the Golden Poses ( 5/5 )

5.6 How to copy animation

5.7 Rest

5.8 Summary

Copy blocking 1

Mod 6 Student Package

6.0 Intro to working the first blocking pass

6.1 About Key Poses

6.2 The timing of the dialogue

6.3 Posing the Key Poses

6.4 Simplicity

6.5 Practice: Extracting the key poses based on the audio dialogue ( 1/3 )

6.5 Practice: Extracting the key poses based on the audio dialogue ( 2/3 )

6.5 Practice: Extracting the key poses based on the audio dialogue ( 3/3 )

6.6 The flow

6.7 Practice : First blocking pass after working flow ( 1/2 )

6.7 Practice : First blocking pass after working flow ( 2/2 )

6.8 Summary: Blocking 2 - First blocking pass

Copy blocking 2

Mod 7 Student Package

7.0 Intro to working the accents

7.1 The nature of the face expression

7.2 Studying the facial animation

7.3 The 2 bouncing balls tip

7.4 The mask

7.5 The brows

7.6 The eyes

7.7 Iris and pupil

7.8 The mouth

7.9 Reference reference reference

7.10 Timing on the right frame

7.11 Practice : Posing the accents ( 1/2 )

7.11 Practice : Posing the accents ( 2/2 )

7.12 Summary : Blocking 3

Copy blocking 3

Mod 8 Student Package

8.0 Intro to working the lipsync

8.1 Lipsync workflow ( 1/2 )

8.1 Lipsync workflow ( 2/2 )

8.2 Practice & Summary

Copy blocking 4

Mod 9 Student Package

9.0 Intro to working the breakdowns

9.1 Keep using your body

9.2 Workflow on breakdowns

9.3 Ease ins and outs

9.4 Overlap of actions

9.5 Micro gestures

9.6 Smears and distortions (1/2)

9.6 Smears and distortions (2/2)

9.7 Holding the extremes

9.8 More breakdown techniques (1/5)

9.8 More breakdown techniques (2/5)

9.8 More breakdown techniques (3/5)

9.8 More breakdown techniques (4/5)

9.8 More breakdown techniques (5/5)

9.9 Summary and practice: Blocking 5 -Blocking Plus

Copy blocking 5

10. Finishing up

10.1 Letting go and/or polish

10.2 Tips on asking for feedback

10.3 About the certificate

10.4 Farewell and happy animating

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